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Season 1 Kovacs was re-sleeved hundreds of years after his arrest and the destruction of his rebel group, the Envoys, and tasked with solving the 'murder' of a Meth (short for 'Methuselah,' the richest of the rich). Kovacs, played by Joel Kinnaman in Season 1 and the Marvel Cinematic Universe's Anthony Mackie in Season 2, finds himself in highly different circumstances this time around.

'And I thought the character of Kovacs was a great lead character.'

'I love that you have this kind of class-based resource, and what that looked like, and the stratification of society, I thought, was fascinating,' Schapker said. Poor people don't get to choose where or when they get re-sleeved, while the wealthiest in society keep regular back-ups and clones of themselves on-hand in case of accidental sleeve death. If your body 'dies,' your stack can get 're-sleeved' in a new one, and you go on living, albeit sometimes with a totally different appearance (don't worry, we also have a handy Altered Carbon glossary defining all these weird terms). The Season 1 world she referred to is one in which humans no longer fear death the way we do now, thanks to the invention of the 'cortical stack,' a small disc installed in your spine that holds 'you' inside it. The two worked together on the new season for around six months before Schapker, whose previous producing credits include sci-fi shows like Alias, Fringe, and Lost, took over entirely. Schapker took over as showrunner during production on Season 2, receiving the torch from Season 1 showrunner and show creator Laeta Kalogridis. I don't think it has to be any particular subgenre of cyberpunk or sci-fi.' 'Season 2 is.a little bit more of a thriller. 'I love the world that Season 1 set up,' Altered Carbon Season 2 showrunner Alison Schapker told GameSpot during a recent interview. Gone are the trappings and tropes of a future-noir gumshoe mystery with a brooding protagonist and neon-soaked gutters instead, Season 2 is a more straightforward action thriller, set on a different world, with an almost entirely new cast, and with a very different tone. And those who have already spun up the show for another go have likely noticed that the vibe is pretty different from Season 1.

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If I step back a little and take a close look at what’s on Netflix then I’ll almost certainly find something compelling to watch, even if the volume of Netflix Originals has slowed down of late.īut having less to wade through is something I actually see as a boon, and somewhat ironically, probably a way to keep me more engaged with the streaming service than throwing new series on the platform at a heady rate.Altered Carbon, which we called 'a cyberpunk masterpiece' in our Season 1 review over two years ago, is back on Netflix for a long-awaited second season. None of those are bad shows (Better Call Saul is arguably a masterpiece) it's just that they are all dramas with a dark-ish edge, and sometimes I could do with something different. I’m thinking of The Queen’s Gambit, Squid Game, Chef’s Table, Arcane, Dark and more that have passed me by as the Likes of The Witcher and Ozark get shoved into my eyeballs by Netflix’s algorithm, after I watched say, Better Call Saul.

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So hearing about Netflix swinging an axe at average shows that have Roland-bait premises and settings - Another Life’s space faring sci-fi or Altered Carbon’s cyberpunk aesthetic - is a blessing masquerading as a bludgeoning of a streaming service.Ĭutting the chaff means Netflix will not only free up more money to make the better series, it also frees up room on the service to serve me more compelling shows that I might have glossed over due to slavishly following Netflix’s recommendations. But I watch it all as I’m someone who will pretty much always finish what I started, meaning I waste hours of my life on average shows and series, rather than digging into Stranger Things 4, The Boys season 3, or making more headway for hit games like Elden Ring and Horizon Forbidden West. So I’m glad it’s hitting the end of the line come season 4.Īnd Orange Is The New Black has a similar energy - while it ended well overall, it simply went on for too many seasons. It enjoyed its premise and post-apocalyptic world building, but after the third season it’s running out of track.

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